5,205 Royalty-Free Audio Tracks for "Operas By César Cui"

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

Prime row form from Stravinsky's Requiem Canticles.

Example of the submediant ("triad on VI") used as a dominant preparation.

Salve, sancta parens, Rätselkanon von Ludwig Senfl. Der lateinische Text lautet: "Salve, sancta parens, dulcis amor meus, virgo pia, salus mundi, coeli porta".

Lydfil fra Ruben-samlingen Sound file from Ruben collection

Elgar; Enigma variations, Theme I. C.A.E.

Elgar; Enigma variations, Theme X. Intermezzo Dorabella

Elgar; Enigma variations, Theme IX. Nimrod

Elgar; Enigma variations, Theme VI. Ysobel

05. stripedgazelle - 05 Liber Scriptus

Elgar; Enigma variations, Theme VIII. W.N.

04. stripedgazelle - 04 Tuba Mirum

Sansoen Phra Barami and Kraow Ram (Episode of Prommas) - Wang Ban Mo ancient drama ไทย: เพลงสรรเสริญพระบารมี และ เพลงกราวรำ (จากละครดึกดำบรรพ์ ตอนพรหมมาศ) บรรเลงโดย คณะละคอนดึกดำบรรพ์ วังบ้านหม้อ

Felix Mendelssohn Bartholdy: Laudate, pueri, Dominum (MWV 39, 2)

Bach, Carl Philipp Emanuel: Solfeggietto, Wq.117.1 / H.220

Elgar; Enigma variations, Theme III. R.B.T.

Elgar; Enigma variations, Theme XII. B.G.N.

Elgar; Enigma variations, Theme VII. Troyte

08. stripedgazelle - 08 Domine Iesu

Lydfil fra Ruben-samlingen Sound file from Ruben collection

Elgar; Enigma variations, Theme XI. G.R.S.

Elgar; Enigma variations, Theme XIII. Romanza

John Bartmann - joy-to-the-world-master

Lydfil fra Ruben-samlingen Sound file from Ruben collection

1902 Aufnahme des letzten italienischen Kastraten, Alessandro Moreschi, der einzige Kastrat, der Aufnahmen hinterlassen hat.1902 recording of the last Italian castrato, Alessandro Moreschi, the only castrato who has left recordings.1902 la grabación del último castrato italiano, Alessandro Moreschi, el único castrato que ha dejado grabaciones.Enregistrement de 1902 du dernier castrat italien, Alessandro Moreschi, seul castrat qui ait laissé des enregistrements.Italiano: 1902 la registrazione dell'ultimo castrato italiano, Alessandro Moreschi, l'unico castrato che ha lasciato registrazioni.

Tone row from Stockhausen's Klavierstück IX.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone proportions of Studie I. I took F♮ as the starting point.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

The Polka from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.

Movement II of Ottorino Respighi's The Pines of Rome, entitled The Pines Near a Catacomb. It is a is a majestic dirge, representing pine trees near a catacomb in Campagna..

The Dance of the Comedians from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.

Rondo alla turca tzw. "Marsz turecki" z Sonaty fortepianowej A-dur (KV 331) w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Rondo alla turca (KV 331, 3. Movement) performed by Romuald Greiss on old Budynowicz piano from 1850

First Suite in E-flat for Military Band, Op. 28, No. 1: III. March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

The Furiant from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances. Furiant z opery Sprzedana narzeczona Bedřicha Smetany w transkrypcji i wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych (ang. U.S. Marine Band) z albumu Courtly Dances. Čeština: Furiant ze Smetanovy opery Prodaná nevěsta, nahraná v přepisu orchestrem U.S. Marine Band pro album Courtly Dances. Македонски: Танц од Продадената невеста на Беджих Сметана во изведба на оркестарот на Морската пешадија на САД.

First Suite in E-flat for Military Band, Op. 28, No. 1: I. Chaconne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Corps Band, and performed by the Concert Band of the United States Navy Band

First Suite in E-flat for Military Band, Op. 28, No. 1: II. Intermezzo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.

Prelude in C-sharp minor, Op. 3, composed and performed by Sergei Rachmaninoff. This is Edison Diamond Disc 82187-R, Matrix 6742-C-2-3 [2-1]. Recorded in 1919, released in December 1920. Українська: «Прелюдія до-дієз мінор», написана і виконана Сергієм Рахманіновим, випущена в грудні 1920 року.

The overture to Oberon, or The Elf King's Oath, performed by the U. S. Navy Band's Concert Band

Es ist genug, Schlusschoral der Kantate O Ewigkeit, du Donnerwort BWV 60; Melodie: Johann Rudolf Ahle

Movement III of Ottorino Respighi's The Pines of Rome, entitled The Pines of the Janiculum. It is a nocturne, supposedly set near a temple, on the Janiculum hill, of the Roman god Janus. The actual sound of a nightingale is used in this movement.

Edward Elgar's Pomp and Circumstance in D, Opus 39, No. 1 performed by the United States Marine Band

Italiano: Apertura de La Bella Addormentata di Pëtr Il'ič Čajkovskij, London Symphony Orchestra diretta da Pierre Monteux (DECCA, 1958) Opening of the The Sleeping beauty by Tchaikovsky, Pierre Monteux conducting London Symphony Orchestra (DECCA, 1958)

La Danza performed by the Strolling Strings of the United States Air Force Band. Track 17 from Air Force Strolling Strings 40th Anniversary (1994).

King Champagne from Die Fledermaus by Johann Strauss II performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 16 from Wintertime (1999).

Hector Berlioz's Overture to the opera Benvenuto Cellini, played by the U.S. Marine Band for the album Overtures.